On the day I was laid off from the Kennedy Center, I felt a little like Dolley Madison saving the Stuart portrait of Washington before the British sacked the capital. I was the staffer in charge of the artworks in the building. A crucial difference is that my institution, unlike the White House in 1814, had been on fire for months.
About a year elapsed between the moment President Trump took over the Kennedy Center in early 2025 and his declaration this past February that he’d decided to shut down the nation’s cultural center for two years. In between, we had seen artist cancellations, shrinking audiences, firings of old staffers and influxes of new ones—a lot of drama, just not onstage. The date Trump announced for the closure was July 4, the country’s 250th birthday, an event that I had been hired to help commemorate as the institution’s first curator of visual arts and special programming.
Though staffers had been assured that we’d have our jobs until July, I was one of dozens of people let go on March 26. From the moment I received a calendar invitation for a meeting with human resources, I knew I had to scramble. Shortly after Trump’s shutdown announcement, the center’s president, Richard Grenell, told me to “get rid of everything” in the permanent collection because we needed all new art for the reopening. Although I had slow-walked this demand for several weeks by pretending I was waiting on another colleague for updates, I now had only two hours to tie up loose ends. I hurriedly emailed the families of the late maestro Julius Rudel, the center’s first artistic director, whose bust sits outside the Opera House, and of the late Nehemia Azaz, whose wood-carved installation depicting 43 instruments mentioned in the Jewish Bible covers a wall in the historic Israeli Lounge. They had been anxious about the coming closure, and I told them I would no longer be able to give them updates about the artworks. (A spokesperson for the Kennedy Center says that it is taking inventory of all artwork as part of preparations for the closure.) I was told to pack up my stuff that day, although at least my exit was more dignified than that of a colleague from the development office, who, a couple of months earlier, had been terminated while conducting a tour for donors.
...https://www.theatlantic.com/culture/2026/04/inside-kennedy-center-shutdown-drama/686801/
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